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- #MUSESCORE REMOVE MEASURES UPDATE#
- #MUSESCORE REMOVE MEASURES FULL#
- #MUSESCORE REMOVE MEASURES CODE#
show('musicxml') on a single measure is improved (and works well in Finale 27). el.next(activeSiteOnly=True) no longer occasionally finds things in other streams.Crescendo and Decrescendo wedges have correct and sane id numbers in musicxml output.Correct spelling of "bemol" in Spanish.ChordSymbols with realized durations are exported properly.rely on these files being in the corpus, they have not been removed now. There are files in the corpus from minstrel show traditions that would never been added today however, because so many existing tutorials etc. It came from a bulk import of an existing collection that was never closely scrutinized. A corpus file with an offensive name has been renamed and edited.Some edge cases of ChordSymbol's with add/subtract/alter/omit have been fixed.attachIntervalsBetweenStreams is now more robust on subsequent runs if the streams are being edited.Date metadata supports error ranges better.Figured bass input supports notation like "64" (same as RomanNumeral) in addition to the older "6, 4" syntax.chordReduction (beta) crashes less often.Hidden features in chord.tables are now exposed and documented.Braille output supports more technical indications beyond fingerings, such as bowings.
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More gaps in streams export to MusicXML as "forward" tags.Instruments that normally have a certain transposition (Trumpet = Bb, etc.) now respect part parsing of "Trumpet in C".Better support for output on systems where UTF-8 is not the default.Root position Neapolitan chords can be written as "N53".Smaller improvements and features include: Note, however, that RomanNumerals are not a fully consistent/comprehensive chord description format, so there will always be some gaps in coverage. RomanNumerals now treat common ways of inputting suspensions (V54, etc.) as suspensions rather than obscure 11th chords, etc.TempoText preserves styles even if the text changes (thanks Greg Chapman).commonName improvements for enharmonic respellings of common chords. It's a bit of overkill to be sure, but it's the only MIDI player that comes with the system, and to be honest, it sounds really good. GarageBand is now set as the default MIDI player on MacOS.Bug fixes on changing RomanNumeral objects, or round-tripping chordFromFigure(romanNumeralFromChord(ch).figure), especially with bracketed alterations and on minor vi/VI/vio and vii/VII/viio.Ottava objects import better from musicxml.
#MUSESCORE REMOVE MEASURES FULL#
#MUSESCORE REMOVE MEASURES CODE#
The former way of doing its own imports while "legal" was preventing code analysis on some IDEs. Music21 now imports its own modules individually. Music21 gives better introspection in more developer environments.Improvements in instrument names and lookup (Thanks Mark Gotham).Some superfluous natural signs no longer appear after running makeNotation makeAccidentals improvements throughout.The tree module is slightly better documented, for anyone who wants to work with insane speed (and complexity).Individual notes in Chords can be styled more easily and robustly.mypy is now being run on a subset of the music21 code to ensure that our docs match our work. Slight incompatibility: 3/8 is default configured to one beat with two sub beats (like 6/8).The stripTies method's "matchByPitch" setting is improved.MIDI and MusicXML import/export will create and use Unpitched and PercussionChord objects.
#MUSESCORE REMOVE MEASURES UPDATE#
A decision on whether 3.8 or 3.9 will be the minimum version for music21 v8 will come later, depending on its release date we may also update policy somewhat and raise the minimum version to 3.9 during the v8 cycle. In keeping with music21's policy of supporting the last three versions of Python, music21 v7.3 will be the last version of music21 to support Python 3.7.I've been doing all my recent dev on 3.10 taking advantage of new features, and it's great, and plays well with numpy, tensorflow, and so many other cutting edge analysis tools.Thanks go especially to Jacob Tyler Walls who really steered the contributions to this release.Īmong the major improvements in this branch are: It represents half a year's work since the original v7.1 release.
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Aside from a few obscure corners of the code, it is designed to be fully backwards compatible with the previous v7 releases (7.1). Version 7.3 is a bug-fix, improvement, and maintenance release of music21. This is the second and probably final release on the v7 line.
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